Pajak – Åšmieszne video prosto z sieci!

Um Programa que Sempre Tem Muito żart Diversao e Alegria em Tantos Anos de Apresentaçao pelo Carlos Alberto de Nobrega. Read the rest of this entry »

Um Programa que Sempre Tem Muito żart Diversao e Alegria em Tantos Anos de Apresentaçao pelo Carlos Alberto de Nobrega. Read the rest of this entry »

Este video es una grabación durante el juego de "Rag Doll Kung Fu?: Fists of Plastic" dwoje PlayStation?Network. Read the rest of this entry »

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haha. Read the rest of this entry »

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hehe Read the rest of this entry »

smieszna animacja w pivocie 3.0 komentujcie i dawajcie oceny na sposób ktos chce żebym zrobil dlurzsze niech pisze w komentach Read the rest of this entry »

raruto es como naruto solo que de wic a mi me gusta naruto, pero tambien raruto Hasi que este video no lo ise por criticar a naruto ni nada solo por que es algo que me gusta mucho este raruto lleva mucho tiempo….. si quieres verlo es historia rysunkowa solo se le no es a color en youtube puedes verlo con jente interpretando las voses algunos son buenos otros pesimos XD…….. y si quieres leerlo esta la paguina jesulink.com ay puedes encontra mas informacion.y perdonen la calidad XD pero es que lo iva suvir en HD pero se corta el video =( Read the rest of this entry »

Hector Babenco makes use of striking images to tell each story that makes up Carandiru Station, the book by Drauzio Varella that spent 168 weeks on the bestseller list in Brazil and, with sales of 350,000 copies, is one of the most successful titles in the history of Brazil. The director read Carandiru Station while it was still in manuscript form. Three years after its publication (by Companhia das Letras, in 1999), the book has inspired the sztuka filmowa Carandiru, a production that, under Hector Babencos direction, has brought together some of Brazils finest actors and technicians.In his ninth full-length feature, Babenco creates a loyal adaptation of the book. The twórczość filmowa follows the point of view of a doctor who makes regular visits to the S?o Paulo Penitentiary and hears hundreds of prisoners stories, about love and passion, crime and friendship. He is also the witness of the survivors of the 1992 massacre that left 111 people dead.Gathering together the doctors stories of Latin Americas largest penitentiary, Babenco composes a sweeping and varied tapestry, full of greps and pathos, obuwie always driven by a humanistic sense and a belief in redemption. This tapestry carries the viewer into emotional terrain that lies far beyond the stories of fear and violence that crowd the streets and the headlines in Brazil.To tell the inmates stories, Babenco brings together some of Brazils most highly regarded actors (Milton Gonçalves, Ivan de Almeida, Rodrigo Santoro, Maria Luisa Mendonça, Caio Blat) and he opens the door to new talents (Ailton Graça, Milhem Cortaz, Robson Nunes). For cinematography, he called upon Walter Carvalho, who has received more awards than any of his colleagues in the field. The soundtrack is the work of André Abujamra, who has proven his expertise in many films of the new generation. The experienced Mauro Alice designed the sets. The art director is Clovis Bueno and art stylistyka by Vera Hamburguer. Costumes were the creation of Cris Camargo. Make-up (including the more than 700 tattoos sported by prisoners) is by Gabi Moraes. Vivian Golombek is the casting director. The actors underwent three months of preparation, in a series of workshops. Many of them are graduates of the famed CPT (Theatre Research Center), founded by Antunes Filho.To produce a kino of this complexity, Hector Babenco relied on the collaborative efforts of co-producers Flávio R. Tambellini and Fabiano Gullane and associate producer Daniel Filho. Read the rest of this entry »